Disappointed as I was by its predecessor _Hexenwind_, my hopes that
_Durch Den Traum_ might match their highly interesting 2001 effort
_Her von welken Nächten_ were rather thin. With one half of the duo
departing before the last album however, at least _Durch Den Traum_
might prove to be a more accomplished and consolidated album within
Dornenreich's current musical frame -- despite seeming to originate
from the same source of inspiration as the last record. The simplistic
cover art and absence of song titles may seem to indicate otherwise,
but as it turns out _Durch Den Traum_ has exceeded my expectations,
rivaling _Her von welken Nächten_ in several aspects.
With Dornenreich's characteristic use of acoustic guitars combined
with percussion, as well as German sung vocals that are somewhere
between whispered and snarled and an unusual electric guitar style,
_Durch Den Traum_ is at least guaranteed to avoid coming across as
derivative in today's crowded market. A lot of emphasis seems to have
been placed in creating a spacious, organic sound, and _Durch Den
Traum_ does achieve very good results production-wise during the more
tranquil passages, although the harsher ones could have sounded
stronger. The acoustic guitar work is very well done, and the
atmospheric component created with strings, percussion and whispers is
both unusual and very interesting (take the intensity of the fifth
track as an example).
Gone is much of the venom and metallic extremity of their earlier
work, but you still get some black metal screaming, and with good
results (as shown in the excellent second and fifth tracks, for
instance). The songwriting is decidedly non-linear, with the metal
sections starting and stopping a lot, the songs occasionally seeming
to interrupt themselves to move in a different direction entirely.
This results in music that demands your attention, instead of simply
presenting you with a memorable chorus or a couple of hooks. There are
risks inherent to this approach, of course, and almost inevitably
there are times when the songs wander off quite a bit and may lose the
listener (e.g. the seventh track), but fortunately the success rate on
_Durch Den Traum_ is quite high.
If you like your metal atmospheric and sombre but also adventurous and
quirky, and especially if acoustic guitar and half-demented vocal
deliveries can make your day, then _Durch Den Traum_ should definitely
be a safe bet. It won't be to everyone's liking, but it hardly seems
to have been recorded with that purpose in mind. Those who constitute
its potential audience will most likely be glad to find Dornenreich
back in good shape in 2006.