After the less impressive _Mardraum_ and _Monumension_ albums, the
opening track of last year's _Below the Lights_, "As Fire Swept Clean
the Earth", was unexpectedly and overwhelmingly excellent -- it would
turn out to be the album's finest moment, but to my ears _BtL_ still
marked a return to form for Enslaved.
It was therefore with a great deal of anticipation that I first spun
_Isa_, wondering whether its start could match its predecessor's, and
even whether the entire album might be as great as that particular
song. As it turned out, the first track was just an anonymous ambient
intro -- quite the anti-climax. When "Lunar Force" did begin, it
proved to be a rather different affair; an excellent track, but not
quite as great. "Lunar Force" does not dwarf the rest of the album by
comparison however, contrarily to what happened on _Below the Lights_
to a considerable extent. There may not be anything as good on _Isa_
as the aforementioned "As Fire Swept Clean the Earth", but overall it
is more cohesive and more consistently enjoyable than _Below the Lights_.
Enslaved seem to have regained focus after 2001's rather disappointing
_Monumension_, and this last couple of albums easily surpass anything
they have done since 1999's _Blodhemn_. Tracks like "Lunar Force",
"Isa" and "Return to Yggdrasil" rank among Enslaved's finest, and that
should say a lot. Without having had to backtrack or stop
experimenting, Enslaved seem to have been able to select less
discordant elements for their music: it remains blackened as well as
progressive, and retains a majestic Viking feeling, but this time the
whole thing does not clash with unnecessary psychedelic explorations.
The black metal rasps are still very good, and the clean vocals are
very inspired. While more than adept instrumentally, the album does
not need to go into excessive technicality to make its point.
Similarly, the level of aggression in the music seems to almost
regulate itself, rather than coming across as forced in some parts or
lacking in others. The music sounds mature and self-assured, which is
something that started to become apparent on _Below the Lights_. On
_Isa_, Enslaved occasionally sound more like Borknagar than I would
have thought possible a couple of years ago; but it would be unfair to
imply any loss of identity or the following of someone else's path.
Enslaved are clearly still doing their very own thing, and doing it
very well indeed.