Autopsy - _Ridden With Disease_
    (Necroharmonic, 2001)
    Autopsy - _Torn From the Grave_
    (Peaceville, 2001)
    Murder Squad - _Unsane, Insane and Mentally Deranged_
    (Pavement, 2001)
    by: Paul Schwarz (9 / 8 / 8.5 out of 10)
   
  
    
It's strangely  fitting that two compilations  which acknowledge the  brilliance of  Autopsy should  have  been released  at the  same time as  Murder Squad's  debut album.  Murder Squad  features members of  Dismember  and Entombed,  and  essentially  pays tribute  to  the glory of  the US' necro-tastic  masters of gore-drenched  death metal by  unashamedly  ripping them  off,  as  well  as ripping  off  their own  bands'  older  material,  which itself  was  much-influenced  by Autopsy.  Confused? I  would be  if  I wasn't  explaining it  myself. There's a multiplicity  of tail-eating going on  within Murder Squad, but  essentially,  and  musically,  what ties  these  three  releases together  is  very  simple:  they  were  all  made  possible  by  the influential,  original  sounds  recorded  by  drummer/vocalist  Chris Reifert,  guitarists  Danny Corales  and  Eric  Cutler, and  a  range of  bassists --  including Sadus/Death  bass-guru Steve  Dio-Giorgio. Reviewing the three  releases together seemed like  the natural thing to do.     The  Swedes in  particular, and  Scandinavians in  general, have been crucial in  keeping the Autopsy legend alive in  the years since the band's demise in 1994 --  by comparison, the North American scene seemed to take little pride  in Autopsy until the "necro-sound" began becoming  re-accepted  (fashionable?)  following the  reawakening  of Necrophagia with Phil Anselmo's  involvement, and related events. The two  compilations presented  here  are of  very different  character, purpose and  appeal. Peaceville have essentially  released _Torn From the Grave_ as a retrospective. Crammed to the brim with material from all Autopsy's  albums and  complemented by five  non-album offerings, its 27 tracks clock a total  of 70:54 minutes. _Ridden with Disease_, on  the other  hand,  collects  Autopsy's two  demos  _'87 demo_  and _Critical Madness_  (from 1988) and  adds two raw, rough  and ripping live tracks  recorded in Bramberg  to reach  a total running  time of 33:07. _TFtG_'s selections from Autopsy's four albums and two EPs are acceptable; though my personal choices  would have been different and I'm suspicious of  how carefully the track choices were  made, the 22 tracks  do reasonably  well at  representing six  years of  Autopsy's music-making. It will  serve as a reasonable  introduction to Autopsy for someone who  has never heard the band, though  I'd personally say that their 1991 classic _Mental Funeral_ is the best place for anyone to start.  As with many death  metal bands, a compilation  is not the best  way to  introduce Autopsy  -- and  though Chris  Reifert's writ gives _TFtG_'s material a  context, _TFtG_ ultimately doesn't provide sufficient written material about Autopsy to sway it's status as "not the place to start". For  those already familiar with Autopsy, _TFtG_ may be worth buying for a number of reasons. Firstly, if you only own _Mental Funeral_, this  may be an economic way to  sample their other releases; though it doesn't produce  all the releases' best material, it gives you an idea of what to expect from them. However, if you own everything  official  by Autopsy,  _TFtG_  is  unlikely to  be  worth shelling-out  for. Two  of the  non-album offerings  are included  on _Ridden With  Disease_ -- which any  fan who doesn't happen  to be so long-standing or devoted that they  already own the Autopsy demos and the Bramberg  live tape should buy  first -- and the  other three are not essential: live versions of  "Robbing the Grave" and "Shiteater", and a  slightly different  version of  "Funereality", taken  from the _Peaceville -  Vol.4_ compilation album.  _Ridden With Disease_  is a must-buy  for any  Autopsy fan  -- even  if you've  only got  _Mental Funeral_. The  demos are raw as  hell yet not unclear.  Quite simply, they kick  ass! And  even if  you -have- got  all of  Autopsy's other stuff and are  a little wary of shelling out  for a release featuring only  different versions,  you'll still  want _Ridden  With Disease_, because  "Human Genocide"  and "Mauled  to Death"  (from _'87  Demo_) never made it onto any of Autopsy's official recordings. The Bramberg live recordings also absolutely kill.     Murder Squad, despite the colossal debt it self-confessedly owes to  Autopsy, is  definitely a  somewhat different  kettle of  fish to Autopsy  themselves.  Yes, it  certainly  is  riff and  feel  driven, beer-swilling and headbanging death metal with no excuses made and no trimmings to  be seen, but it  doesn't sound as much  like Autopsy as you'd expect,  considering the  fact that  according to  its members, most of it is essentially supposed to [see Dismember story in CoC #48 for Matti  Karki's comments about Murder  Squad]. If you do  a little bit  of musical  trainspotting,  you'll be  able  to spot  Dismember, Entombed and  Autopsy riffs on _U,I&MD_.  If you get even  more nerdy with this practice,  you'll start noting which are  from which period of each  band, and which (of  the Entombed and Dismember  riffs) were essentially Autopsy-derived themselves. The  same goes for the solos. However,  this is  not  the way  to enjoy  _U,I&MD_,  and its  fluid, coherent feel (as  an album) certainly doesn't prompt  you to partake in such sad antics. The  one-day, one-take production and spontaneous feel makes Murder Squad one of the coolest, most originally Stockholm sounding albums to be recorded in years, and the fact that it reminds in so many places  of Autopsy is part and parcel  of this -- Autopsy, Repulsion  and other  late-Eighties  US demo  bands  were crucial  in shaping the Swedish death metal sound  that was born in the Stockholm scene. Lurking  amongst all  the old, repeated  musical sounds,  is a hint of  a style  of Murder  Squad's own --  evidenced mostly  on the title track  -- but essentially  _U,I&MD_ is best-suited to  those of you  who want  to hear  four  Swedes relive  the "good  old days"  on record, in fine, loose, drunk, stoned and head-lolling form -- and if you're a fan of Autopsy, that'll help too!
    
   
  
    (article published 12/8/2001)
  
  
  
  
  
 
  
   
  
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