Ebony Tears - _Evil as Hell_
    (Black Sun, 2001)
    by: David Rocher (7 out of 10)
  
  
    
Ebony   Tears'  evolution   is   an  intriguing   one  indeed.   After their  1997  debut  effort  _Tortura Insomniae_  [CoC  #30]  saw  them sharing  the grounds  with  the ever-increasing  plethora of  prolific Gothenburg-tinged death  metal acts  such as  In Flames,  their second release, the cryptically-titled _A Handful  of Nothing_ [CoC #42], saw Ebony Tears,  by then reduced  to vocalist Johnny Wranning  and axeman Conny Johnson  plus two session  musicians, veer west towards  the Bay Area's thrashing  tones. The  nice, melodic  violin, which  was pretty much a golden facade tentatively embellishing some rather tame riffing on  _Tortura Insomniae_,  was  now  only to  be  heard  on the  weird, squeaky track  "Erised". And now,  behold! Two years after  _A Handful of  Nothing_,  Ebony Tears  are  back  again,  meaner than  ever,  and _Evil  as  Hell_  itself!  The  Swedes  have  obviously  beaten  their former  violin player  up with  his  instrument, thus  getting rid  of both these  whimsical elements,  leaving them  free to  concentrate on all-out, totally  cathartic thrashing songwriting. While  the now four distinctly tearless  ebony thrashers  don't actually display  the same groundbreaking  songwriting genius  as Meshuggah  on _Destroy,  Erase, Improve_  or  Fear  Factory  on  _Demanufacture_,  they  prove  to  be remarkably  effective when  it boils  down  to dishing  out a  raucous mixture of thick, chunky rhythms and distinctly-not-nice, tortuous and aggressive material,  which is  somewhat reminiscent to  me of  a band such  as  Wicked  World  signees  Corporation  187,  or  Wranning  and Johnsson's former thrashcore project Dog Faced Gods. Although _Evil as Hell_ does  suffer from a  form of sameness  syndrome in the  long run (which, incidentally, can also be  said about _Corporation 187's debut _Subliminal  Fear_), the  individual tracks  are catchy  as hell,  and stand out  enough to be  both entertaining (the opener  "Deviation" is guaranteed to get the virtuoso air-guitar meister in you riffing away) and  memorable.  All in  all,  despite  some  flaws in  the  "variety" department, this raging forty-minute chunk of meanness is well worth a listen,  but  fans of  Gothenburg  trademark  melodies and  aesthetic, violin-driven death metal should definitely proceed with caution! [Brian Meloon: "Ebony Tears have joined the ranks of the bands who had  a great  debut album  and then went  downhill into  banal mediocrity.  Imagine Darkane minus their melodic and interesting sections, and you  have this  album. Sure, this  is a  good album technically:  it's got  good playing, good production, blah blah blah, but underneath, it's a  bunch of boring, uninspired crap."]
    
   
  
    (article published 19/10/2001)
  
  
  
  
  
 
  
   
  
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