Zyklon - _World Ov Worms_
    (Candlelight, 2001)
    by: Pedro Azevedo (9 out of 10)
   
  
    
Zyklon sounds like  an explosive concept even before you  play the CD: it is comprised  of Emperor guitarist Samoth (now  Zamoth) and drummer Trym,  Myrkskog guitarist  Destructhor, and  Limbonic Art's  Daemon on vocals.  Furthermore,  considerable  effort  seems to  be  going  into making  it  clear to  everyone  that  this  is  a full-time  band  and not  just  a  side  project.  So,  in the  end,  what  does  it  sound like?  Well,  it  tends  to  sit  somewhere  between  Myrkskog  and  a guitar-oriented  Emperor. Daemon's  vocals  are competent,  but a  bit different and less remarkable than his work with Limbonic Art, perhaps because  the rest  of the  sound  has so  little in  common with  LA's symphonies. Trym's  drumming and  the guitar playing,  however, reveal their imperial  origins, but the  Myrkskog component in the  latter is often clear. The  result is a sharp-sounding, agile  and dynamic album that combines  massive aggression and superior  technicality with good ambient-setting, somewhat futuristic (or perhaps present day?) samples and electronic  passages. The music  is intense and  rapidly shifting; modern  black/death metal  is perhaps  the description  that suits  it better, as  their style lies  somewhere between Emperor's  black metal (sans keyboards)  and Myrkskog's stronger death  metal influences. The result  definitely  works  well  and _World  Ov  Worms_  is  generally consistent  and varied  throughout.  Ulver's Trickster  G (i.e.  Garm) contributes a few vocal lines in the last track, which turns out to be quite pleasant. _World Ov Worms_ is quite clearly derived from Emperor and Myrkskog, but  it is nevertheless a very impressive  record in its own right. [Paul Schwarz: "Though  solid brutal death/black riff  and rhythm work  sits comfortably with modern electronic sounds at intervals on _World  Ov  Worms_, this  record  focuses on  getting the  most  it can  from  metal's instrumental set-up. The result  is a good, enjoyable record,  but looks  creatively tame and  almost repetitive next to  the Thorns  album."]
    
   
  
    (article published 13/5/2001)
  
  
  
  
  
 
  
   
  
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