As the name implies, this was the second deathfest to be held on the campus of Cornell University in the past couple  of  years.  This one was held in the JAM (Just About Music)  Program  House  community room, which is a single room smaller than most bars,  with  no  stage and no special lighting, located on  the  ground  floor  of  a  dorm. Admission was free, and  the  crowd  was  the  usual  mix  of  punks, hardcore-types,  metalheads,  and   people   who   looked   strangely yuppieish. The show started around  7:30pm  and  ran  smoothly  until about midnight. The band changes were very quick (around five minutes each) due to equipment sharing, and the sets were also short  (around half an hour each). During Deuterenema's set, the crowd  was  at  its peak with around 100  people  in  attendance,  but  that  number  had dwindled to about 30 by the time the show was over.
Nothing Lasts Forever  started  things  off  with  an  energetic performance. They played a short set  of  hardcore-influenced  metal. Although  the  crowd  was  composed  of  only  60  people,  the  band frequently made forays out into the crowd in an attempt to  get  them to do more than stand around. Unfortunately, it didn't  work.  Still, it was a good performance.
Funnel was up next, and I knew this would be a bad set when they started with Metallica's "Seek and Destroy". Next up was KISS's  "God of Thunder" (with a drum solo  during  which  the  drummer  lost  his stick), followed by two late 80s cliche-filled originals and  closing with Iron Maiden's  "The  Trooper".  Their  performance  was  decent, though not impressive by any standards, and the  singer's  voice  was not appropriate for any of the cover songs. He offered neither  range nor aggression. Their mid-tempo songs did little to excite the crowd.
Deuterenema followed, and although  their  dyed-green  hair  and falling-down pants  indicated  hardcore,  these  guys  were  actually pretty metallic. They covered Slayer's "Seasons  in  the  Abyss"  and played four or five originals. Unfortunately, their (apparently  new) singer had a tough time as he not only needed to bring  lyric  sheets up with him (not that we could make out any of the lyrics), but  also his non-grunted vocal parts were inaudible. Either he hasn't  learned to keep his voice at a consistent level when changing styles or there was a problem with his mic. Either way, the absence of  vocals  where there should have been some was distracting. Other than that, it  was a good set, though not particularly memorable.
The best set of the evening was  turned  in  by  Inner  Shadows, a.k.a. Ryan McCracken. Ryan went up on stage backed by only his  drum machine. He played five songs:  four  originals  and  Fear  Factory's "Martyr", which invoked the first real moshpit of  the  evening.  The originals were very  impressive  (despite  a  few  screw-ups),  quite technical, and moderately complex death metal with some  originality. In addition, the sound was mixed at a pleasant listening level. Since I didn't have high expectations, I was pleasantly surprised and quite impressed. I hope Ryan can find a backing band and continue  to  make progress.
The Urination played next. They set up with their drummer's back to the audience and the guitarist and bassist facing  him  (and  us). These guys are very similar to A.C. (with  songs  titled  "Song  #1", "Song #2", etc.) and, thankfully, played only six songs. Hence, their set lasted only six minutes, which included the banter between songs. Luckily, that was just about the right length of time; any longer and the joke would have gotten old.
The most accomplished band there,  Bloodshed,  ended  the  show. They brought  out  their  own  drumset  and  amps,  so  there  was  a significant delay between their set and the previous one. These  guys played  moderately  technical,  but  uneventful,  death  metal   with original songs such as "Masticated Body Parts" and "Shed Blood".  The drumming was good, but he would only occasionally do  something  that would catch my attention. I can't say too much bad about them,  since they seemed to be competent, but I thought something was missing from their performance. Perhaps the audience was too tired to  really  get into the music. While there was a decent moshpit at the beginning  of their set, by the middle, people had left  along  with  most  of  the enthusiasm. In any case, they played a relatively short (eight song?) set, and the show was over.
All in all, it was an enjoyable evening with some surprises  and a good deal of variety. With any luck, the  Big  Red  Deathfest  will become a fall tradition as I think this one was a definite success.