Manowar singer Eric Adams is quite outspoken and not  afraid  to say what he thinks. Adams is very open about music, the industry, and the state of metal music today. And regardless of musical  trends  or label switches, the New York-based band has always  strived  to  keep metal  deep  within  themselves.  Just  look  at  the  pure  metallic offerings they have released to the  world  since  forming  in  1981: _Battle Hymns_ (1982), _Hail to England_ (1984), _Fighting the World_ (1987), _Kings of Metal_ (1988), and 1992's _Triumph of  Steel_.  And the manliness and raw power continues onward with their powerful  and latest album, _Louder Than Hell_. _LTH_ is  a  monstrous  assault  of rip-roarin' guitars, pounding beats, and shrieking  vocals  that  cry out 80s metal. And why does Manowar continue to  play  this  kind  of music? Why, you ask? Because they can and no one  else  is  doing  it like Manowar does.       The band is loud (they are in the Guinness Book Of World Records as "World's Loudest Rock Band"), they  rock,  and  all  non-believers aside, this type of metal is still big business. Manowar  is  on  top and they love it. Adams wouldn't have it any other way.
CoC: Tell me about the inspiration that went into this  record.  Talk      about _LTH_ and being "louder than hell." Was that something you      were just feeling you needed to be in the studio - wanting to be      just this huge, mighty machine of metal?
Eric Adams: You know we  broke  the  Guinness  Record  of  being  the             loudest band in Germany? It was in  Hanover.  During  the             last tour we did that. During the "Triumph of Steel" tour             we did that. We were originally the "Loudest Band in  the             World", and then some prick band, I don't  even  remember             their name, decided they wanted to break our record. They             did, or said they did. So the word was out that maybe  we             weren't the loudest band or most  powerful  band.  So  we             said, "Okay... let's show everybody  right  now."  So  we             brought over a wall of gear. So much that we had to fly a             whole section of gear on top of the other section of gear             we had brought with us. We hooked it all up.  Before  the             show we had invited CNN, MTV, the  Guinness  people,  and             they were all there with their  special  ear  protection.             And we kicked some serious ass  brother...  <laughs>  ...             and broke the sound record and I don't  think  anyone  is             crazy enough to do that again.
CoC: What exactly was the decibel count?
EA: I think Joey (DiMaio; bass) was playing at 129 DB... and that was     just Joey, too. It was a pretty powerful sound. I mean, we didn't     want to hurt our fans or make them go deaf so  we  toned  down  a     little bit. <laughs> Not only, when you come to a  Manowar  show,     do you get a show, but you feel it too.
CoC: So seeing that we  have  been  talking  about  being  loud,  the      question again is, what was the  inspiration  for  material  and      sound going into _LTH_?
EA: We just wrote what we felt at the time. You can't  just  say  you     are gonna write a song right now and go and do it. We were riding     on the Harleys one day and Joe came up with the idea  of  "Return     of the Warlord", and with Scott (Columbus;  drums)  in  the  band     again, it was just a cool idea to have. When an idea for  a  song     happens, it fuckin' happens. If it is good enough to  be  on  the     album,  then  it  goes  on.  Fuck,  "Brothers  of   Metal"   took     fifty-seven versions before we finally put that one on.
CoC: When you are creating music, are  you  intentionally  trying  to      create and use visions of a "barbarian-like" era?
EA: We don't try to go back in any era.  We  have  always  felt  that     everyone has always needed a hero in their life. That hero  could     be you in the mirror. That  is  why  the  album  cover  has  this     warrior/hero-like image with no face. Because it could be anyone.     We have always believed that heavy  metal  was  about  power  and     might and steel and just a strong feel to a song. That is why  we     have always had that  in  our  songs.  You  can't  get  any  more     powerful than steel. It goes well with the heavy metal genre.
CoC: You guys are different to a lot of  bands  nowadays,  especially      with some of the bands in the metal genre. A lot of  bands  have      fallen to the side but you guys continue to go on. Like any form      of music, there is a need for certain types of  music  and  they      are in demand. Your type of music is a good example of that. How      do you feel about Manowar being different  from  all  the  other      types of music in the metal genre?
EA: I think it is good. I think it is great that we are in a field by     ourselves because people are pussies and they want to get out  of     the metal scene because they don't want to play  from  the  heart     anymore. They want to play from the wallet. These bands just want     to sell songs that'll do well  on  the  radio.  Those  bands  are     pussies as far as I am concerned and they  don't  belong  in  the     metal scene. They should then just get the fuck out of  the  way.     We are not like that. We believe in what we do. We listen to  our     fans. Our fans tell us "never change, never change," and  we  are     not gonna fuckin' change. There is no need for us  to  change.  I     saw Metallica said that they aren't metal anymore. Well what  the     fuck? They have "metal" in their name for fuck's sake. They  have     been metal all this time. The  metal  crowd  are  the  ones  that     bought them their cars and homes and now they are gonna fuck them     and say, "We are not metal anymore?" That is bullshit.  We  would     never let our fans down. We are proud to wave the metal flag.
CoC: Because you have stayed with the same sound and images, and  are      one of the only bands like Manowar now, do you get criticism for      what you are doing?
EA: I get criticism from journalists. Not you, because you are a fan,     but mainly from journalists. You know what metal  is  about,  not     these guys. Fuck... I just got off the phone with a journalist in     Greece who quite frankly was a prick. He said, "This sounds  like     old metal. Don't you think you should change with the times?" And     I said, "Fuck you!" That is what I said, "Fuck you! You don't buy     the records. Our fans buy the records and they tell us  what  the     fuck what they want to hear. They tell us 'don't change' or 'stay     the same' and we do that. We won't change." I explained  to  this     guy, we believe what we do. He then  says,  "Well,  I  see  these     pictures of you guys riding motorbikes." And I said,  "Yeah?  So?     What is wrong with that?" That whole thing goes  with  the  metal     scene. We have ridden bikes for years and it's something that the     fans may have not seen till now. We are not ashamed of metal.
CoC: The way I describe your music is to go as far as to say that  it      reminds me of a barbarian, "we want to  be  strong"  angle.  You      won't wimp out on a record. I mean, you do ballads on the record      that are soft, but there is still the intensity  there  and  the      motivation of what you want to do.
EA: You are exactly right. You got it right. The slow tracks  on  the     album are  there  because  I  feel  like  singing  and  not  just     screaming. It still has  that  "believe  in  yourself  attitude."     Don't be a follower. Be a leader. That is how we feel.  The  slow     songs still have that same feel or ideas.
CoC: From your perspective, how has the band's  take  on  songwriting      changed over the years?
EA: I guess it depends who is in the band at that time. <laughs>  Our     guitar player Karl Logan is really into theory and  guitar  work.     He is brilliant. It has brought the band up to a level now  where     we can do anything and are not afraid to do it. We  can  do  fast     songs, slow songs, um...symphonic metal and take less time  doing     it. We have a guy now who can help us do what we want to do  with     our material.
CoC: For you, what do you get out of performing or the  whole  vision      of being a pure mighty machine? What do you get out of this?  Is      it like taking on a role?
EA: I get the chicks. <he laughs hysterically> I am the singer and  I     get the chicks. Joey and I get all the chicks. <he laughs> No...I     just get a good feel up there...and the chicks. I  get  a  really     good feeling on stage, but not only on-stage. After the  show  on     the bus when we are meeting some fans to sign autographs it  just     gives me a good feeling.
CoC: What are your favorite tracks on _LTH_? I like  "Return  Of  The      Warlord."
EA: My favorite track that we have ever recorded is  on  this  album.     The song "King." Yeah.... "Return Of The Warlord"  is  cool.  You     know what is so cool about that song is that is the  first  track     of the album. It just tells everyone that we  are  back  together     again with Scott in the band. It just makes  sense  to  come  out     with something like that.
CoC: There are a lot of people that you thank on this record,  people      that have kept the vision of Manowar alive. What  has  been  the      hardest thing you have had to deal with over the years?
EA: Oh...wow...that is a good question. That is a first. No  one  has     ever asked me that before. I think the hardest thing I have  ever     had to deal with is speaking from my heart  to  journalists  like     yourself and then reading the article  and  they  pissed  on  the     band. That is the hardest thing I have had to face  I  think.  If     they get assigned the job and not really give a fuck about  metal     and they usually right about alternative music then we get fucked     by that. It is people like that in the music industry  that  fuck     the bands over the years and unfortunately they not only fuck the     bands but the fans too.
CoC: Another focus that the band seems very  detailed  about  is  the      inclusion of lyrics. How important are lyrics to you?
EA: Lyrics are real important. Not only do they have to fit the songs     and I have to be in character... I mean if I did "Courage" with a     raunchy voice it wouldn't be the same as when  I  do  it  with  a     clean voice. You know what I  am  saying?  I  have  to  get  into     character with each song. The lyrics are important and if it is a     powerful track and you want people to get the message the emotion     has to be there. Lyrics are important, especially for metal.
CoC: What kind of stuff do you want to do with Manowar in the future?      This record is out now, will it be sometime  before  Manowar  is      back in the studio?
EA: I wanna get back out on the fuckin' road man. I have been in  the     studio for years now. It is time to hit the road. We  would  like     to be out on the road as long as we can with this  record.  Until     it is done. It could be a year... who knows? After that  we  will     take a month off, take our vacations or whatever we do, and  then     go back into the studio. We'll clean our heads and then  go  back     into the studio to create.
CoC: I have told you how I felt about  the  record  or  how  I  would      describe it. You being the lead singer and leader of  the  band,      how would you describe it? How would you describe it to  someone      who may not have heard Manowar before?
EA: I would tell them to strap their nuts to their legs because  they     are gonna blow right off.  They'll  blow  right  off.  The  title     _Louder Than Hell_ speaks for itself brother. It is loud  and  it     is powerful.