What has become legend in Canada is  the  strength  of  the  Montreal metal scene and the number of talented metal bands from  the  region. Bands like Kataklysm and Cryptopsy have gone from relative  obscurity to international recognition. Anhkrehg are one of many Montreal bands who have high hopes in obtaining the success that the  aforementioned bands already have. Conducted through Canada  Post  is  an  interview with guitarist Michel Monette [a.k.a. Shrapnel (Angel of Hate)] which touched on the band's history, prior work, and their  newly  released demo _Brutal Witching-Metal_.
CoC: How did the members come to join and form Anhkrehg?  Didn't  the      band have two bassists at one point?
Shrapnel: It started in the winter of 1992, with Khayr (bass/vocals),           Dead Christian (drums), Blac(K)night  (guitar)  and  Killer           (guitar) just jamming to heavy music. After the  _The  Oath           of Sorcerer-King_ demo  release,  Killer  left  because  of           personal obligations and the band continued on as  a  trio.           Shortly after I joined (with me knowing Khayr for some time           prior to joining) as a helper, I then became band  manager,           mainly because I saw the potential in the band, music-wise.           As the months went by, the second demo  arrived  which  was           called _Sacrificial Goat_. [The demo] was more serious than           the first one, it helped us to establish  ourselves  within           the very crowded Montreal death  metal  scene  as  well  as           gaining recognition  for  our  still  developing  style  of           music. It is also then that I joined  Anhkrehg  on  guitar,           having Black(K)night become the second bassist.  It  didn't           last long (only two shows), but we felt that it had  to  be           tried (with him leaving afterwards). I still think  playing           live as a trio is the best line-up, for us anyway. Demo  #3           _Brutal Witching-Metal_ was released in July 1996 with  our           new concepts and our  own  black  metal  trademark  (Brutal           Witching-Metal).
CoC: How would you describe the band's sound? I had always thought of      the band being black metal, but to label  it  just  black  metal      would be quite misleading.
S:  Fast,  infernal,  and  furious.  That's  how   I   describe   it.    Grindcore-ish type of riffs splattered with black screaming vocals    with bits of the good ol' "blast'n'heavy" parts.
CoC: What has Anhkrehg released up till now, demo-wise? What is  each      release like/how do they sound/your thoughts on each of them.
S: First was the '94 demo _The Oath of Sorcerer-King_ which  was  our    first try. A little  underproduced  and  our  sound  wasn't  quite    perfected  at  that  point.  It  was  followed  by  our  '95  demo    _Sacrificial Goat_, which  sound-wise  needed  better  production.    Next we were featured  on  a  CD-compilation  called  _Underground    Symphonies #2_ which helped to get contacts with different people.    Following it was a live promo we did called _Howls from the North_    which was just a promo and isn't really for sale. It had  a  great    live sound, the kind of sound I would like  us  to  have  all  the    time. Finally to the present with our  release  _Brutal  Witching-    Metal_ which is in our opinion the best release so far. Music-wise    and lyric-wise a lot better, it's where Anhkrehg dwell now.
CoC: Tell me about the new demo _Brutal Witching-Metal_ and  describe      it musically and lyrically.
S: We lurk under our brutal witching metal banner  which  stands  for    black-grind music with lyrics  about  ancient  history,  merciless    warriors, and forgotten wars.
CoC: There's a live track on the demo isn't there? What show  was  it      recorded at and who were you playing with?
S: It was recorded August 31st 1995 in Montreal when we played a show    with Sarnia, Ontario's  Inner  Misery  and  headliners  Malevolent    Creation.
CoC: What other bands have Anhkrehg played  with  that  you  consider      notable?
S: In my opinion, most of the bands we've played with that I consider    notable are Malevolent Creation, Kataklysm, Hidden  Pride,  Agony,    Cryptopsy, Demence, Resisting Arrest (ex-Majester), Inner  Misery,    Corpus, Elements, etc.
CoC: Are there any other outside influences on the band, like perhaps      an interest in the occult, or reading about history or war, etc.?
S: Khayr reads A LOT of books on history and wars, as well as  having    interests  in  role-playing  games  like   Dungeons   &   Dragons,    Warhammer, etc.
CoC: You also run a management company called E.S.T Management.  What      bands do you handle? How did you start the business/why/when?
S: It started in the summer of '94 with bands Mortify  and  Anhkrehg,    both from the same home town in the eastern part of Quebec. It was    just basically me helping them  from  Montreal.  A  year  later  I    became manager for Montreal's Demence  and  Repentigny's  (Quebec)    Hidden Pride and then Agony  asked  for  me  to  do  the  same  in    November '95. Since then,  I  now  work  full-time  for  Anhkrehg,    Agony, and Hidden Pride. I began on  my  own  being  insecure  and    unaware,  making  phone  calls  to  people  I  didn't  even  know,    contacting promoters, etc. After awhile I really  got  comfortable    doing those sort  of  things.  Helping  my  friends,  meeting  new    people, and most of all, listening to great music all the time!
CoC: How is the Montreal scene right now? How many people go to  your      average show?
S: Everybody knows that Montreal is overcrowded  with  all  sorts  of    bands (especially metal/alternative). Just last month, I  received    news from three death metal bands who are planning to relocate  to    Montreal! As far as shows go, it's very unpredictable. I'd say  an    average show is somewhere between 60 and 100 people  (for  smaller    bands). For bands like Deicide and Morbid Angel, you could  expect    around 800 people.
CoC: Do  the  Montreal  bands  support  each  other?  Do  bands  like      Cryptopsy and Kataklysm help and support the lesser-known bands?
S: Yes of course. Each time a big band plays,  inevitably  they  will    need an opening act. And that's where the smaller bands come in.
CoC: You've played shows in Quebec and Ontario. Will Anhkrehg venture      out further, like to the U.S?
S: We'd love to, but for now we  try  to  conquer  our  own  backyard    before invading others.
CoC: Are you happy with the demo, production-wise?
S: I'm much happier with this one than the last one. It also  had  to    do with the manufacturer we worked with  this  time.  I'm  looking    forward to the next one. I've got a lot of new ideas.
CoC: Why was the decision made to have a good portion  of  the  songs      sung in French?
S: Khayr is in a better position to answer that question  since  he's    the lyricist/vocalist of the band. I'd say it has to do  with  our    French Canadian roots that he wants to explore  and  represent  in    the music.
CoC: What's the band doing now? Writing  any  new  material?  Touring      Quebec?
S: Right now we're not doing much, as far as the whole band together.    As for myself, I'm keeping very  busy  with  my  distribution  for    E.S.T. management, as well as  keeping  in  contact  with  various    people in the metal scene.
CoC: And finally, what do you feel sets you apart  from  other  bands      that play extreme forms of metal??
S: The fact that we are from an unknown region of eastern Quebec  and    that we play intense metal, and also the fact that we emphasize on    our "brutal witching-metal" trademark. We also  do  not  dwell  on    typical   black   metal   trademarks    (like    female    voices,    chains'n'leather, Hollywood make-up, gothic keyboards, etc).
Demo prices: _The Oath of Sorcerer-King_: $4 _Sacrificial Goat_: $7 _Underground Symphonies #2_ 
CD: $12 _Brutal Witching-Metal_: $5
Contact: E.S.T Management, c/o Michel Monette          755 Muir, Suite #205, Saint-Laurent, Quebec          H4L-5G9, Canada