Saturnus managed to make a significant  impression  within  the  doom metal scene with  the  quality  melodic  doom/death  of  their  debut _Paradise Belongs to You_. However, for me it was its successor,  the very broken-hearted MCD titled _For the Loveless Lonely Nights_, that most clearly proved there was something special about this band:  the emotion was definitely there, both on the melodic  doom/death  tracks and on the acoustic ones, supported by  well  above  average  musical quality. The recently released full-length  follow-up  to  that  MCD, _Martyre_ [reviewed in this issue], is another worthy effort  by  the band, even though I have mixed feelings about a  few  of  its  songs. Still, Saturnus, who started out as a melodic death  metal  band  and then played what seems to have been a rather life-changing  gig  with My Dying Bride, seem poised to maintain their place as one of today's melodic, dark-romantic doom metal's highest  exponents.  Having  once played with a choir inside a church and having been nominated for the Danish equivalent to the Grammy awards  in  the  past  seemed  to  be further subjects for interesting conversation; so  here  is  a  brief e-mail chat with guitarist Peter Poulsen and vocalist Thomas Jensen.
CoC: You seem to have been somewhat influenced  by  My  Dying  Bride,      with whom you played a gig in 1996. How influential was that  to      your progression as a band?
Peter Poulsen: In the beginning of Saturnus we played  melodic  death                metal, but the gig with My Dying Bride in 1996  opened                our eyes to something  else  that  could  express  our                music  better.  Maybe  that's  why   we   have   those                influences from My Dying Bride.
CoC: These days, however, the evolution of your musical  style  tends      to remind me more of the  kind  of  path  followed  by  Anathema      towards a lighter and more melodic form of doom metal;  yet  you      certainly have not forsaken the death  vox  on  _Martyre_.  Most      bands, however, would probably say death vox  do  not  fit  well      with the kind of melodic, broken-hearted  doom  you  play  --  I      disagree and feel the death vox do suit your music very well. Do      you think they will continue to be a part of your music  in  the      future?
Thomas Jensen: As the years pass you evolve  from  what  you  started                from, and will on your way maybe  end  up  in  another                place, different from where  you  started.  Maybe  the                death vox will stay. Maybe they  won't.  It's  all  in                what you feel at the moment.
CoC: Where do you think your sound might evolve to next, emotion-wise      and also as far as becoming  instrumentally  softer  or  heavier      again?
PP: We can't say, for the time being. But  we're  creating  some  new     material, and it will take us further on the  way  to  expressing     ourselves in this particular moment in time. So it will still  be     Saturnus again, just new!
CoC: Speaking of Anathema, you have now  included  a  new  half-sung,      half-growled vocal style, somewhat reminiscent of  Darren  White      [formerly of Anathema and The Blood Divine] but sometimes  maybe      more "rocking", together with your death grunts and  clean  vox.      Why did you decide to use this new vocal style in your music?
TJ: Because Darren White is my favourite singer!!
CoC: Can you tell us more about your 1997  concert  in  St.  Stefan's      Church with a female choir? That's quite an unusual event for  a      metal band...
PP: That is quite an unusual event for a metal band  indeed,  and  it     caused quite  a  stir  in  the  Danish  church.  Klaus  Olsen,  a     sound/picture artist, had been involved in an arrangement in  the     church the previous year, and the  priestess,  Anne  Braad,  said     that she, for long Friday  (you  know,  the  day  long  ago  when     somebody was crucified to death), needed death and  destruction!!     Klaus answered her: "I know a band that  I  guess  will  be  very     interested!" And that's it.
CoC: Another thing which is rather unusual for metal bands is to  get      nominated for national music awards, yet you were nominated  for      Best Hard Rock Release of the Year for your  _For  the  Loveless      Lonely Nights_ MCD in something that is supposed to be like  the      Danish Grammy awards... How was it like? And, by the way...  who       won?
PP: It was great fun to be nominated for  the  Danish  Grammy  awards     (free food and beer). It was the second time that the "best  hard     rock" category was included in the show. We didn't win the award,     but we won the party... so fuck the prize! Superfuzz (at the time     an unreleased, unknown band... I guess they  stopped  playing  as     well) won the award and we were very happy  on  their  account...     bull...
CoC: You had Flemming Rasmussen, of Metallica fame, as your  producer      for _Martyre_. What motivated that? Are you happy with his work?
PP: Mr. Flemming "Trainconductor" Rasmussen is a very gifted man  who     knows his ways in every kind of music; and we  talked  about  the     possibilities for havin' him doing the CD, contacted him  and  he     was open and keen on doing the project with us.  It's  very  nice     when you can work with a man you have been talking and  listening     to all your childhood. We hope he's up for the next CD, which  we     are at this time working hard on!
CoC: What about the album itself, how much of a  progression  do  you      feel it was from your past releases? How satisfied are you  with       it?
PP: Of course there must be progression from one release to the next;     you grow as a person and as a musician and you reflect about life     as you grow with it. -We- are very satisfied with  _Martyre_,  it     just couldn't be better!
CoC: Despite some changes, _Martyre_ carries on your darkly  romantic      doom metal style. Do you think you can write, play or even enjoy      such broken-hearted, gloomy music even if  you're  feeling  good      and things are going well for you, or does  it  take  some  real      feeling behind the music for you?
PP: As said before, we grow all the time and every particular  moment     in your lives brings sadness and happiness with it. We  are  very     happy people on the outside, but yet we cannot deprive  ourselves     of the nothingness we grow in. The music and lyrics will stay sad     with us.
CoC: What kinds of music does the band generally enjoy these days?
PP/TJ: We can only speak for ourselves.  In  comparison  it  will  be        something like "mainstream rock",  metal  in  general,  pop...        whatever;  we're  not  that  fixated  on   style,   names   or        production, just as long as the music talks to us!
CoC: Is there anything  else  you'd  like  to  mention  to  end  this      interview?
PP/TJ: Stay heavy and keep smiling... Saturnus is coming  to  a  town        near you... and tell all your friends we're "nice" people...
Contact: http://www.saturnus.dk