One of many black metal bands to embrace  aggression  and  harshness, Dark Funeral are one of Sweden's bigger  bands,  and  rightfully  so, judging from their well-received debut, 1996's _The  Secrets  of  the Black  Arts_.  A   cold   exercise   in   outright   brutality,   the aforementioned record has just been given the domestic  treatment  by Metal Blade (Attic here in Canada), meaning more black metal fans  in this part of the world will be treated to a  record  well  worth  its weight in blasphemy. A failed phone interview transmogrified into  an e-mail interview with co-founding member Lord Ahriman, who  was  cool enough to answer some questions about their upcoming US  tour,  their upcoming record, and various other matters.
CoC: Even though this album has been out for quite a while, why don't      you tell me about _The Secrets of the Black Arts_, for those who      haven't had the pleasure of hearing it.
Lord Ahriman: _The Secrets of The Black Arts_ was recorded during two               weeks in the Abyss Studio in July  '95.  Musically,  it               can be described as pure Satanic mayhem. It includes 11               tracks with a combination of  ultra  brutal  riffs  and               pure  blood-freezing  melodies  with  eerie   classical               themes in a furious speed.
CoC: So since the recording of this album  in  the  summer  of  1995,      three of the four band members have left, leaving you to pick up      the pieces. Please update us on your present-day line up.
LA: Besides me on guitar, the  current  line-up  consists  of  Typhos     (guitar), Emperor Magus Caligula (bass  &  vocals)  and  Alzazmon     (drums).
CoC: Due to these line-up changes, has Dark Funeral's sound  changed?      More melodic/atmospheric? More aggressive?
LA: Even if I'm the only original member left, you  shouldn't  expect     any sudden changes. But I am sure that people will notice that we     have changed a few members. Partly, we are more tight as  a  unit     than we were with any previous line-up. Our new material is  like     a natural improvement on our previous album _The Secrets  of  The     Black Arts_. The main difference is that  we  have  now  included     more rhythms as well as increased the speed. The  new  songs  are     also far darker, more technical, and much more varied than on our     last release. This makes each track genuine in its  own  way.  We     have improved the previous style, but also continued  in  a  more     genuine and professional way.
CoC: What is your view on being picked  up  by  Metal  Blade  for  US      distribution? Was it something that was a complete  surprise  to      you, or was this a deal long in the making?
LA: Yeah, when I first heard  about  it,  it  was  definitely  a  big     surprise to me. Although from the day we received the  offer,  it     took about 6 months before the deal  was  set,  and  a  few  more     months before the album finally was released in the States.
CoC: Have you been looked down upon by other black  metal  bands  for      making what they may see as a "commercial" or "mainstream"  move      by having Metal Blade involved in your distribution?
LA: No. So far I haven't noticed, or heard any negative words towards     us about being licensed to Metal  Blade,  even  though  I'm  sure     there must be some envious motherfuckers who believe that we have     turned into a more commercial act because  of  this.  But  I  can     assure you that we will forever be true to the underground!!!
CoC: What is the present relationship between  you  and  No  Fashion?      What are your thoughts on its band roster?
LA: It's very satisfying. No Fashion are doing an excellent  job  for     us, although it can never be too good, if you know what  I  mean.     There are a few acts on the label that I really like, and respect     for what they are doing. There are also a few bands I consider to     be purely shit, but enough of that.
CoC: Describe a Dark Funeral live show.
LA: Our hellish live performance is like a black mass. It's  probably     one of the most extreme and intense live performances  you  could     ever behold. The  introduction  of  the  show,  consisting  of  a     destruction ritual, is performed live by the four of us.  We  are     painted like demons, wearing spikes and  rivets,  and  of  course     covered with pure animal blood. We also  carry  ancient  weapons.     The show includes fire-breathing as well  as  our  typical  stage     show, in which we have pig heads impaled  on  two  huge  inverted     crosses placed in the front of the stage. Unfortunately,  due  to     hygienic causes, most of the venues, at  least  during  our  last     European tour, refuse to let  us  perform  with  the  pig  heads.     However, when the pig heads are included  in  the  show,  Emperor     Magus Caligula and I end the show by slashing them into pieces.
CoC: Some have said that this use of the pig heads in your live  show      is a rip-off of Mayhem's. What's your response to this?
LA: Ha, before someone should say anything stupid like that, I  would     suggest that he or she check out our  hellish  live  performance.     It's not even close to the Mayhem show, as Mayhem  did  only  one     single show with pig heads. We have done over 40.
CoC: I heard that Emperor Magus Caligula recently injured himself  on      stage at a show you played in Finland. What happened?
LA: It wasn't in Finland. It happened during our last tour throughout     Europe on the opening show in Geeleen (NL). At the  end  of  that     show, while Emperor Magus Caligula and I slashed  the  pig  heads     into pieces, Caligula happened to hit himself on the leg  with  a     big butcher's knife. Even if the blood was pounding out from  his     veins, he was  still  able  to  continue  the  show  without  any     interference.
CoC: So you are presently recording at the Abyss Studio. Please  give      us a studio update and describe how the material is coming out.
LA: Yeah, we have recently completed a three week  recording  session     in the Abyss Studio (Sept. 1- Sept. 21), which means that  a  new     Satanic symphony of Dark Funeral finally is completed and put  on     tape. During the three weeks we spent in  the  Abyss  Studio,  we     recorded 8 tracks, which in total  have  a  running  time  on  35     minutes. A few of the new titles  are:  "Slava  Satan",  "Ravenna     Strigoi Mortii", "Ineffable King of Darkness", and  "Enriched  By     Evil". In my opinion, this is the most superior recording we have     done to date. It's also the fastest and most aggressive,  yet  it     holds a very melodic and hellish atmosphere. The album will carry     the title _VOBISCUM SATANAS_, and the  release  is  scheduled  in     February '98. Stay tuned for a new christ-raping piece of wrath!!
CoC: Since _The Secrets..._ was  released,  Blackmoon  has  left  the      band. What were the reasons for  his  departure?  And  with  him      being one of the creators of Dark Funeral, was the band's future      ever in doubt?
LA: Hell no, the future of the band was never in doubt.  We  had  and     still  have  everything  under  total  control.  Due  to  several     reasons, we  came  to  a  point  where  the  cooperation  between     Blackmoon and us, the rest of the band,  couldn't  continue.  The     new and present lineup is the best we have  had  so  far.  And  I     would say that we have finally found a stable, well working,  and     highly professional lineup.
CoC: Blackmoon was very outspoken about his  views  of  Christianity.      What are your views concerning religion and Christianity?
LA: I'm an elitist and a diehard Satanist, so  I  guess  my  opinions     about religions and Christian people are quite obvious.
CoC: What's the relationship between Swedish black metal bands? Is it      on the friendship side, or on the more competitive side?
LA: Well, there is  this  kind  of  silly  backstabbing  and  threats     between almost each and every band. There are only  a  few  bands     that I find worth in socializing  with.  I  have,  as  you  might     understand, stopped caring about all this childishness  going  on     within the scene. I just ignore these kind of low life attitudes.     All this shit is just a matter of jealousy, so why fucking     bother?
CoC: How did it come about for Dark Funeral to play its first gig  in      North America? A tour is planned -- which bands are on  it,  and      what are the dates/venue's planned?
LA: It's a long story, but I will make it short. A couple  of  months     ago, I made like a business call for House  of  Kicks/No  Fashion     Records to Shane Bugbee. I did not present myself as  being  Lord     Ahriman of Dark Funeral. I went  under  another  alias.  After  a     while, he mentioned that  he  was  planning  to  put  up  a  huge     festival, Expo of the Extreme. Since I was doing this phone  call     for  H.o.K.,  I  couldn't  resist  asking  him  if  he  would  be     interested in bringing over a band from No Fashion.  After  going     through all the bands, he said "I want Dark Funeral to  play  the     festival." I guess Shane was pretty surprised when I finally told     him that I was Lord Ahriman, guitarist of Dark Funeral. Later the     tour plans came up. We were asked to headline the  tour.  And  of     course we were [willing]. At first it was only planned  to  be  a     mini-tour, but as time has passed it is now a full scheduled U.S.     tour. We will start the tour  in  Chicago  at  the  Expo  of  the     Extreme Oct. 31st and do, as far as I'm informed, the  last  show     in Oregon Nov. 29th. Besides Dark Funeral, the tour will  include     Acheron, Destroyer 666, and Usurper.
CoC: Any message/warning to your fans here in  North  America  before      your arrival on these shores?
LA: Join us in Chicago at the Expo of  the  Extreme  and  during  our     "American Satanic Crusade Tour". And together, let's  summon  the     demon god and invoke the new dark age!!!