After much delay, the sophomore effort of  harsh-yet-melodic  Swedish black metallers Lord Belial, entitled _Enter the Moonlight Gate_,  is finally out. Reviewed in these pages months ago, the  advance  4-song tape under scrutiny then was only a  mere  half  of  the  full-length album, and the newer material does not disappoint  at  all.  Swinging back and forth from violent outbursts of pure speed  and  aggression, to mid-paced walks through luscious fields  of  melody  enveloped  by flute, _EtMG_ is definitely a high-quality release. Guitarist Vassago took some time off to answer our questions.
CoC: Since your new album _Enter the  Moonlight  Gate_  was  recently      released, what have you been doing in the meantime?
Vassago: We have been recording some demo tracks for our  next  album          and we have recorded "Come to the Sabbath" by Mercyful Fate.          This  cover-version  will  be   featured   on   a   Mercyful          Fate-compilation released by Listenable Records. We recorded          it in Andy LaRocque's studio, and we are  pleased  with  the          result. We will most probably record  our  next  album  with          Andy. He is great to work with.
CoC: Why was there such a delay between the recording  of  the  album      (April '96) and its eventual release (July '97)?
V: No Fashion signed a lot of bands during a short  period  of  time.    This resulted in a chaotic handling of their releases. That is why    it was delayed over and over again.
CoC: After releasing two albums on No Fashion Records, what  is  your      feeling towards the label? Are you satisfied with them?
V: Well, let me assure you; they have not bothered one bit  about  us    until this last month (July '97). The guy who handles  us  is  not    involved in the scene at all, he is just a clerk who knows nothing    about metal. The staff at House of Kicks is the  same  staff  that    runs  a  mail  order  company  called  Sound  Pollution;  and  the    distribution of albums in  Sweden/Scandinavia,  plus  No  Fashion,    Chaos Records, and five or six more small  record  labels.  In  my    opinion, they should be five times as many people to  be  able  to    handle the situation properly. But then they won't  make  as  much    money as they are doing at the moment,  so  I  suppose  they  have    decided to stomp on the bands instead. We are -not- satisfied with    them. They recently fucked up a tour with  Emperor  for  us.  They    neglected to answer on time because the clerk that is supposed  to    run our business was ON VACATION!!! AAAAARRRGGGHHHHH!!!!!!!! There    are a few other labels that want to sign  us,  and  they  were  so    fucking angry when they heard about this, they  said  "Ahhh,  come    on, you MUST leave No Fashion now, we will pay the tour at ONCE if    you sign for us!"
CoC: In music, and especially it seems in metal, maintaining a steady      band lineup is sometimes difficult, yet the four members of Lord      Belial have been together since the beginning, in  '92.  Is  the      band lineup as strong now as it was then?
V: Well, actually it is stronger. The  bass  player  has  never  been    involved in metal, that is why he has such a unique style in  bass    playing, but he has grown into his position  completely.  We  have    never been as strong as we are now, and we are getting better  and    stronger all the time!
CoC: It seems that although the new trend is to  be  retro  and  very      80s, Lord Belial has remained solidly  in  the  realm  of  black      metal. What's your view of the retro uprising?
V: Ha, I suppose it's the kids that grew up with the flood  of  black    metal music that have thought  "I  wonder  what  these  guys  were    listening to when they started" and are now  finding  it  cool  to    plagiarize the "original" metal. I think  Lord  Belial  have  some    sounds from the 80s as well, though. My personal influences lie in    this era.
CoC: The band has a great talent for writing majestic  melodies,  for      both the guitar and flute, yet you  place  them  right  next  to      violent, fast sections of the songs, structurally. Which do  you      find more difficult to write,  and  which  do  you  prefer,  the      melodic or the violent?
V: Well, the melodies are mostly made by Dark, while I like  it  more    brutal, so my riffs tend to be less melodic. I  like  it  raw  and    straightforward, but the contrast makes it much better.
CoC: Lord Belial is unique in that  you  incorporate  flutes  into  a      harsh black metal environment. Do you foresee use of  the  flute      in the future?
V: Oh, I am assured we will use flute on  our  next  album  as  well,    along with a few other "different" instruments.
CoC: You placed some female vocals in Enter  the  Moonlight  Gate  as      well. Can you explain the decision to use them?
V: It was Dark's idea. His girlfriend is a singer in a choir,  so  he    came up with this idea to make the  contrast  between  melody  and    aggression even bigger.
CoC: Do you view the band, and music  in  general,  as  an  emotional      attachment to you, or more as a form of self-expression, or      both?
V: Since Dark finds it difficult to use  mine  or  Sin's  lyrics,  he    generally uses his own nowadays, so I can no longer say that I can    express anything in particular more  than  just  feelings  in  the    music. Sometimes, I have a totally different  vision  in  my  head    than what Dark sings about, though. But mostly, it works very    good.
CoC: How satisfied are you with Lord Belial's two albums?
V: I do not listen so much to  _Kiss  the  Goat_,  maybe  once  every    second month. I don't think that this album is representative  for    Lord Belial anymore. _Enter the Moonlight Gate_,  however,  is.  I    was satisfied with _Kiss the Goat_ for one week, then  we  entered    the studio with Vassago to create some pure violent  music.  _Kiss    the Goat_ has its good sides, though.  I  am  quite  pleased  with    _Enter..._, but I know that our next album will  be  the  best  we    have ever made!
CoC: What have you got planned for the next album? Will  it  continue      in the same vein as _Enter the Moonlight Gate_?
V: We have five freshly written songs and they sparkle  with  energy,    yet it  is  not  the  same  drumming,  it  is  much  more  varied.    Sometimes, it is MUCH faster, but it is more mixed with heaviness.    The people that have heard our new material think that  it  is  in    the vein of _Enter..._, but better still.
CoC: What's planned for the rest of this year?
V: Rehearsals!!! And hopefully a tour. We are VERY  eager  to  go  on    tour. We have the album on digi-pack now, but it  will  also  come    out on vinyl. We have t-shirts and long  sleeves,  and  they  look    excellent. Actually, they are the most  beautiful  shirts  on  the    market, and this  is  no  bragging,  it  is  stating  of  a  fact.    <snickers> Personally, I will go on tour with Sacramentum later on    as well.
CoC: That's the end, Vassago, thanks a lot. Take this  space  to  say      what you wish...
V: Buy our works of music and art. It is not just a piece  of  metal,    it is a new world that awaits  to  be  explored!  Thanks  for  the    interview. Die Hard!!!