Detroit three-piece Heavy Water Factory  have  always  aimed  at creating hypnotic power-driven electronic music with  a  bite  and  a definite roar that would set them apart from the rest, allowing metal and noise tidbits to be dispersed within the loops and beats  of  the techno-driven music. On their second record, _Author of Pain_ (Energy Records), the band aimed to find a unique  style  or  feel  to  their music. They may have found it as their sophomore release, a follow-up to 1996's indie release _Fluid and Meat_, truly  surpasses  what  the band had done first time out.      Singer/keyboardist/programmer Jesse McLear (HWF is  rounded  out by other keyboardist William West and guitarist Scott  Hixson)  talks to Chronicles of Chaos about the  music  and  momentum  generated  by Heavy Water Factory.
CoC: What interests you about the kind of music that you play?
Jesse McLear: I grew  up  listening  to  bands  like  The  Cure,  Joy               Division, and The Smiths, and a lot of these bands used               keyboards. I liked that quality about those bands. That               interested me. And then  I  started  getting  into  the               industrial around 1989 and it  was  so  different  from               anything that I had heard before and I  wanted  to  get               into that. I fell in love with bands like  Nitzer  Ebb,               Ministry, and Skinny Puppy.
CoC: Do you still play close  attention  to  the  new  industrial  or      electronic music nowadays?
JM: I am  finding  myself  less  and  less  listening  to  or  paying     attention to those kinds of music right now. I just want to  stay     focused on what I am doing and not be  influenced  in  anyway  by     other bands.
CoC: Where do you want Heavy Water Factory  to  go  as  a  band?  How      important is success for you?
JM: I don't know about that. I am not expecting to be rich or do this     for years to come. I do it right now  because  I  like  to  write     music. I feel like there is a certain level I am gonna reach  and     feel like I made it, but I don't know what that level is. I don't     know what I am reaching for. I don't  know  if  it  is  a  dollar     amount or being  famous.  I  think  it  is  more  of  a  personal     accomplishment for myself. Making music and being happy doing it.     I really care about what I do and I want this to  be  a  personal     thing for me. I'm trying to be myself with every song I write.  I     try to make each song better than the last one I wrote.
CoC: The record sounds very focused and clear. How  are  you  in  the      studio when working on material?
JM: I work very hard in the studio trying to create the music that  I     hear in my head. I try to bring my ideas to life. I am determined     to get it as accurate to what I  want  but  that  always  doesn't     happen. 
CoC: How did you hook up with Energy Records?
JM: We heard good things about them from some of our friends who  are     DJs, always talking about how Energy  really  cares  about  their     bands and stuff. We sent them a press kit and they really dug our     material. We met up with them and felt a good vibe so  we  hooked     up with them.
CoC: How would you describe the new record to someone?
JM: I'd probably tell them that the  record  is  full  of  a  lot  of     variety of song styles and moods. Usually there is  something  on     the record, it could be one track, that people usually come  away     liking on this record. I like the fact  that  someone  could  get     excited about something on this record,  to  be  excited  and  be     moved by a piece of music that I created.