The Haunted - _Live Rounds in Tokyo_
    (Earache, 2002)
    by: Paul Schwarz (9 out of 10)
   
  
    
Though  Earache's  release  of   this   fifteen-track,   fifty-minute live-album-with-studio-track-tacked-on as a  double  CD  with  2000's _The Haunted Made Me Do It_ [CoC #49] may make it initially  seem  an expensive, unattractive proposition, think a  minute.  If  you  don't have _THMMDI_, this package will give you two class-A thrash releases -- and for less than a tenner each in all  likelihood.  To  be  frank though, if you -have- got a copy  of  _THMMDI_,  you'll  wanna  start looking for places to sell it, 'cause you're gonna be wanting _LRiT_. _LRiT_ is the single release that  alone  exemplifies  The  Haunted's important place in the  metal  scene  of  today.  It  was  the  final catalyst to convincing me of how truly -killer-  The  Haunted  really are. When _The Haunted_ [CoC #34] arrived in 1998, I never  "got  it" the way others did; all I saw in The Haunted was some ex-At the Gates members, with friends, doing good thrash. I hardly even gave _THMMDI_ a chance until over a year after its release. What turned me 130%  on The Haunted was seeing them live at  Wacken  last  year.  Six  months passed in which I went back to both Haunted albums  repeatedly,  then _LRiT_ turned up. A few high-volume spins later,  everything  clicked into place. The Haunted aren't just a great thrash  band,  they're  a metal band of  truly  exceptional  excellence:  I'd  bet  they  could support Slayer in Germany and get a pit going. Releasing a live album with only two full-lengths under your belt might seem a  cheeky  move coming from most bands, but from The Haunted, it just seems  -right-: live is where The Haunted  come  into  their  element;  _LRiT_  is  a profoundly powerful  live  thrash  metal  album  which,  figuratively speaking, grabs every band still playing the style by the collar  and asks, "WHO'S THE DADDY NOW?!" [Pedro Azevedo:  "If  it  hadn't  been  for  Marco  Aro's  pedestrian  interaction with the crowd and the  omission  of  my  two  favourite  tracks from The  Haunted's  eponymous  debut  ("Soul  Fracture"  and  "Forensick"), this would have been a superb live disc. Nevertheless,  it still is an impeccable live rendition of  a  fine  collection  of  songs (including every highlight from their superior second  album),  and a very strong extra reason for you to buy _The Haunted  Made  Me  Do It_ if you haven't done so yet."]
    
   
  
    (article published 12/4/2002)
  
  
  
  
  
 
  
   
  
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