Few bands of the gothic/doom metal variety have  stirred  up  as much press and critical acclaim than English sextet My  Dying  Bride. The band has worked hard to gain fans worldwide  with  each  release, and as the years go on, the band also  manages  to  shapeshift  their sound, making minor adjustments on the way to perfecting their  sound and style. Their most recent transformation: _Like Gods of the Sun_.
 "We had a natural progression happen with this record, something that always seems to happen  with  the  music  of  My  Dying  Bride", reveals guitarist Calvin over the phone from Mayhem/Fierce offices in New York when discussing the change in _LGotS_. "We didn't  have  any guidelines or instructions of what the next album was going to  sound like. There was no real conscious effort to change the  sound  of  My Dying Bride." He adds, "I think this is our heaviest  album  we  have ever done in regards to the  production  and  overall  sound  of  the album. It still holds a lot of the imagery, atmosphere, and  emotions that have been carried throughout early  MDB  releases,  but  with  a harder edge to the overall sound."
 Since forming in 1990,  the  band  has  released  many  EPs  and numerous LPs. Following two successful demos in  1990,  in  1992  the band released their first full-length LP, _As  the  Flower  Withers_. The band gradually moved onto releasing their sophomore effort  _Turn Loose the Swans_  in  1993,  a  collaboration  of  all  EPs  entitled _Trinity_ in 1995, and in 1996 we saw  _Angel  and  the  Dark  River_ released. About not fitting into one set style or sound, Calvin says, "We have done that since the first few demos  or  releases.  We  have always done what we wanted and never really catered to anyone or even the record company. We never went  out  to  find  or  produce  a  hit single. We just created music close to us."
 Calvin, along with  the  other  members  of  the  band  -  Aaron (singer), Andrew (guitar), Martin (keyboard/violin),  bassist  Adrian and drummer Rick - are concerned with one thing right  now:  touring. Seeing that the album was released in October  1996  in  Europe,  the band has already done some shows in Europe in support of the new  LP. As singer Aaron had mentioned in the last  interview  with  My  Dying Bride (CoC #8/March 96), the band has had a hard  time  cracking  the U.S. market or even tour here. While the band  is  a  huge  force  in Europe, Stateside it is almost nothing. That may change, says Calvin. "I think the success of many acts in territories is the live  aspect, being able to get out there and play to people  no  matter  how  many show up to the show. You have to show respect to the people that have supported you. When we started going out on tour in the beginning  in 1991 or 1992 throughout Europe, the shows were small, but you go  out and you hope to build up a fan base. Over the years, with  luck,  the crowds get bigger and you are able to release albums and  tour.  That is the only thing that we have not been able to do in North  America, and maybe why we aren't as  big  over  here  as  we  are  back  home. Hopefully that will change this  year."  (The  band  is  said  to  be opening for Ronnie James Dio on the second leg of his North  American tour in March/April.)
 Unlike where the band has been able  to  toy  with  emotions  or symphonic sounds on past release, _LGotS_ shows off  a  more  vibrant and emotionally  charged  My  Dying  Bride,  a  more  passionate  and soothing element that seems to  work  quite  effectively.  Completing material for this record was a challenge as Calvin will explain.  "It was very difficult for us to write material  in  1996  when  we  were beginning to write this album. There was a lot of anger in the band", reveals Calvin. "We have always been content with each other on other releases. But this time out it was a struggle  to  get  material  and ideas to surface. We had writer's block I  believe.  I  don't  really want to use that expression but I think that is the best  description of what happened to us. It depicts what went on." He  continues,  "It took us almost three months to sift through and create new music  for the album. We weren't happy with what we were writing. Then we  began to get our act together and  something  happened  and  then  we  came together and were able to create music for this album  -  all  within the span of four weeks", states Calvin.
 One of the most interesting aspects of the band's latest  LP  is the reason/story behind the use of the title _Like Gods of the  Sun_. Calvin explains. "It is about the relationship  between  two  people, whether they be a man and a woman or whatever. It is about their love and passion for each other. It  is  that  strong  and  if  you  could imagine what the gods of the sun would be, then  the  size  of  their passion would be that size too."
 As most bands change style and sound,  so  do  the  people  that create them. When asked the question, 'How  have  you  changed  as  a musician?', Calvin had to give it a bit of thought. "I think we  have all matured over the years. When we started we were more of  a  death metal-influenced band. Now we have changed, and as a  person  I  have changed. I am now married and I settled down into a house. Everything that you do in your life affects your writing and music. We are  more content and calmer in our lives so we  can  focus  more  clearly  and effectively on our writing now. It is easier to write what we feel."
 "Music has now become a full-time profession for us now",  notes Calvin. "We  don't  have  to  hold  any  daytime  jobs.  We  can  now concentrate on creating  music  all  the  time  now  and  working  on material. It's great. We are now doing what we always  wanted  to  do with our lives and not do music as a hobby anymore. To be able to  do this is an unbelievable accomplishment for us."